Blaqbonez, KindlyNxs...
I recorded this one in South Africa when I went to do the Hennessy Cypher in June 2025. I just planned a little
listening party over there. The energy at the listening party was so exciting. The South Africans showed me so much
love. There were so many people there and it was so nice. I was like, “I have to have a song with some South Africans on
the album.” The session was the next day. I've been a fan of KindlyNxsh and Brotherkupa, especially not just fans of
their music, but fans of their visuals. I found the guy who shoots their videos and followed him. We all linked up, and
it was an organic session because I liked their visuals, and they liked me already. The session was very smooth, and we
made it after my listening party. With WAVE$TAR, while I was working on a project, I told myself I had to put someone
who represents who's next in the Nigerian hip-hop space. I felt like I couldn't consider myself an OG if I didn't say,
“This is the next guy.” I feel like this album is my introduction to being an OG. I was excited that WAVe$TAR was
excited to be on the project. His verse was the last verse to enter the project; it happened four days before the album
dropped. I’d been talking to him about it, but we had not figured out if he was going to be on the song. I initially
wanted to transition the beat into something else, but he just recorded on the actual beat, and it was fire.
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16 more stories from this album
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Blaqbonez, Asak...
I made the first version in June (2026) in my friend’s studio in Lagos. The studio didn’t have air conditioning. It was
so hot in there that we had to take off our T-shirts while recording. Maybe that heat contributed to making it a hit
haha. I didn’t send the song to Asake until August. We were on the phone one day, talking about how crazy our collab
“Chanel” was going and we had a light bulb moment about how crazy it would be to do it again. We both felt we could
create another magic, but we wanted to make the next record bigger and take it in a different direction. “Ikebe 3000”
was going to be more of a party record, something more dancey. So I sent him the song, and he loved it. He was in LA at
the time, just after one of his shows. I woke up to him calling me and playing the verse he’d just recorded in the
studio. I was shocked. I’m thinking; he’s on tour right now! How did he finish a show yesterday and still managed to
record this verse today? The whole thing happened in less than 24 hours after I sent him the song. Just like we did with
“Chanel,” we kept “Ikebe 3000” under wraps until release. After making the song, we planned the music video and flew to
London to shoot it. Honestly, when I started making the earlier version, I’m not sure we knew just how crazy the song
would turn out to become. We were simply locked in the studio, trying to create something different when we stumbled on
the Gqom (South Africa) sound and we put our spin to it. One thing I find interesting is that “Ikebe 3000” is actually
Asake’s favourite collaboration out of all the songs we’ve made together.
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Blaqbonez, Asak...
I made the first version in June (2026) in my friend’s studio in Lagos. The studio didn’t have air conditioning. It was
so hot in there that we had to take off our T-shirts while recording. Maybe that heat contributed to making it a hit
haha. I didn’t send the song to Asake until August. We were on the phone one day, talking about how crazy our collab
“Chanel” was going and we had a light bulb moment about how crazy it would be to do it again. We both felt we could
create another magic, but we wanted to make the next record bigger and take it in a different direction. “Ikebe 3000”
was going to be more of a party record, something more dancey. So I sent him the song, and he loved it. He was in LA at
the time, just after one of his shows. I woke up to him calling me and playing the verse he’d just recorded in the
studio. I was shocked. I’m thinking; he’s on tour right now! How did he finish a show yesterday and still managed to
record this verse today? The whole thing happened in less than 24 hours after I sent him the song. Just like we did with
“Chanel,” we kept “Ikebe 3000” under wraps until release. After making the song, we planned the music video and flew to
London to shoot it. Honestly, when I started making the earlier version, I’m not sure we knew just how crazy the song
would turn out to become. We were simply locked in the studio, trying to create something different when we stumbled on
the Gqom (South Africa) sound and we put our spin to it. One thing I find interesting is that “Ikebe 3000” is actually
Asake’s favourite collaboration out of all the songs we’ve made together.
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Blaqbonez, Asak...
This was one of my easiest studio sessions ever. I really didn't think I'd made anything spectacular because I make
songs almost everyday. I made it in February 2026 in Lagos. Most of the songs on my new album (NOMADINHO: 4TH PRIME) are
fresh records made this year. So in April, I travelled to London for a show. After the show, instead of doing the usual
after-party at a club, I decided to do something different. One of my cousins, who works at a bar, offered to open it
just for me and my people. I took about 20 people from the show to the underground bar called Doña in Dalston. It was
just us, with no pressure. I started playing unreleased music through the AUX and having a good time. Everybody seemed
to love “Chanel.” People kept asking me to play it again. The next day, I made a video of myself vibing to the song and
posted it online, inspired by the energy from the party. As soon as I posted it, the video went crazy. That was when I
realised the record might be huge. Fans started suggesting different artists who should be on the song. But in my mind,
I knew it was big boy music and the ultimate big boy for that sound was Mr. Money, Asake. Of course, he has been my guy
for a long time. We'd been talking about collaborating, and I was just waiting for the right song to send him. So I sent
it to him through his DMs. Thankfully, I made that decision. A few days later, we were both back in Nigeria, set up a
studio session, and recorded together. After that, we flew to London, shot the music video, and the rest is history!
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