I made the first version in June (2026) in my friend’s studio in Lagos. The studio didn’t have air conditioning. It was

so hot in there that we had to take off our T-shirts while recording. Maybe that heat contributed to making it a hit

haha. I didn’t send the song to Asake until August. We were on the phone one day, talking about how crazy our collab

“Chanel” was going and we had a light bulb moment about how crazy it would be to do it again. We both felt we could

create another magic, but we wanted to make the next record bigger and take it in a different direction. “Ikebe 3000”

was going to be more of a party record, something more dancey. So I sent him the song, and he loved it. He was in LA at

the time, just after one of his shows. I woke up to him calling me and playing the verse he’d just recorded in the

studio. I was shocked. I’m thinking; he’s on tour right now! How did he finish a show yesterday and still managed to

record this verse today? The whole thing happened in less than 24 hours after I sent him the song. Just like we did with

“Chanel,” we kept “Ikebe 3000” under wraps until release. After making the song, we planned the music video and flew to

London to shoot it. Honestly, when I started making the earlier version, I’m not sure we knew just how crazy the song

would turn out to become. We were simply locked in the studio, trying to create something different when we stumbled on

the Gqom (South Africa) sound and we put our spin to it. One thing I find interesting is that “Ikebe 3000” is actually

Asake’s favourite collaboration out of all the songs we’ve made together.

This was one of my easiest studio sessions ever. I really didn't think I'd made anything spectacular because I make

songs almost everyday. I made it in February 2026 in Lagos. Most of the songs on my new album (NOMADINHO: 4TH PRIME) are

fresh records made this year. So in April, I travelled to London for a show. After the show, instead of doing the usual

after-party at a club, I decided to do something different. One of my cousins, who works at a bar, offered to open it

just for me and my people. I took about 20 people from the show to the underground bar called Doña in Dalston. It was

just us, with no pressure. I started playing unreleased music through the AUX and having a good time. Everybody seemed

to love “Chanel.” People kept asking me to play it again. The next day, I made a video of myself vibing to the song and

posted it online, inspired by the energy from the party. As soon as I posted it, the video went crazy. That was when I

realised the record might be huge. Fans started suggesting different artists who should be on the song. But in my mind,

I knew it was big boy music and the ultimate big boy for that sound was Mr. Money, Asake. Of course, he has been my guy

for a long time. We'd been talking about collaborating, and I was just waiting for the right song to send him. So I sent

it to him through his DMs. Thankfully, I made that decision. A few days later, we were both back in Nigeria, set up a

studio session, and recorded together. After that, we flew to London, shot the music video, and the rest is history!

Initially, “Consistency” was kind of like the intro. And when I made “Everlasting Taker,” it was crazy. The way it

sounded, it was an intro. As soon as you get into a project, it sounds like the right thing to hear first. It had the

first bar and all the affirmations, I felt like, what’s wrong with having two intros? So “Everlasting Taker” and

“Consistency” paired together is one introduction. Making “Everlasting Taker” was straightforward. As soon as the

producer played me the beat, I started writing it right there. We weren’t even in a studio; we were in a room, and he

was just playing me beats. It’s very interesting because Ragee specifically told me that he had something for me on that

album, because I thought I was almost done with it. He was like, “Bro, I have something for you on that album.” He was

the one always saying, “I dey on heat,” and I was like, “Make we hear.” He played that beat, and I immediately started

writing the verse. I recorded it later that evening.