A-Q, Blaqbonez
Blaqbonez always wanted me to make a song that will go super viral. He’s like; “oh, you need to make a record that will
cement your legacy, a song that many Nigerians will know, will listen to”. So when I was making God's Engineering 2
(previous album), we made ‘Family’. It didn't go as viral as he wanted it to go. So when I was making God's Engineering
3, he was paying special interest in the recording process. When I made the song called ‘Read the Signs’ with Terry
Apala, Blaq was super excited. He even helped me contact Terry to be on the record. He was like; “yo, this is the
record. You finally did it your way. You just have to put a budget behind this record, and it's going to go super
viral”. I was like, cool. It's supposed to be the single anyway. But then I told him that I'm not going to make the
album without him doing a verse. I wanted a rap verse. So before I wrapped up the album, I called him and I was like,
yo, I'm wrapping up the album and I need that verse. And he was like, say less. I think two days later, I just got an
email and he had recorded on a YouTube beat. I listened to the verse and the hook and I was like, Oh, is this how you're
feeling? He was like, yeah, a lot had happened before he recorded the verse. He put down how he felt about what was
happening. I was like, okay, I jumped into the booth and dropped my own verse in like, maybe like 15, 20 minutes. But I
held it back because I was still not certain because it was on a YouTube beat. We sent it to a producer called Jxses. He
was able to make a beat that matched what we were already feeling - which is one of the hardest things to do. We didn't
think of it as a single, right? We just wanted it to be on the project. After I finished the album, I played it for my
team and they were like, yo, it's hard - and this should be the single. They were like, the hook, the chemistry,
everything is just a safer bet. And I spoke to the guys on the distribution side, and they were like, yeah, they
actually think that the song with Blaqbonez is the single. So we picked a date. And we dropped it. The situation between
Blaq and Modu (ODUMODUBLVCK), everything just escalated it. And yeah, that's how the song came about. We were not in the
same studio when we made the record. Blaq recorded his part, sent it to me. I recorded my part, sent it to him. And
people have been saying that that's one of my best verses yet. That thing that Blaqbonez wanted me to always have, “I
want you to have this to cement your legacy”. I always wanted him to be the person that would give that to me. I guess
he finally did it on this record.
Slide 1 of 23
No comments yet. Be the first to comment!
Blaqbonez, Asak...
I made the first version in June (2026) in my friend’s studio in Lagos. The studio didn’t have air conditioning. It was
so hot in there that we had to take off our T-shirts while recording. Maybe that heat contributed to making it a hit
haha. I didn’t send the song to Asake until August. We were on the phone one day, talking about how crazy our collab
“Chanel” was going and we had a light bulb moment about how crazy it would be to do it again. We both felt we could
create another magic, but we wanted to make the next record bigger and take it in a different direction. “Ikebe 3000”
was going to be more of a party record, something more dancey. So I sent him the song, and he loved it. He was in LA at
the time, just after one of his shows. I woke up to him calling me and playing the verse he’d just recorded in the
studio. I was shocked. I’m thinking; he’s on tour right now! How did he finish a show yesterday and still managed to
record this verse today? The whole thing happened in less than 24 hours after I sent him the song. Just like we did with
“Chanel,” we kept “Ikebe 3000” under wraps until release. After making the song, we planned the music video and flew to
London to shoot it. Honestly, when I started making the earlier version, I’m not sure we knew just how crazy the song
would turn out to become. We were simply locked in the studio, trying to create something different when we stumbled on
the Gqom (South Africa) sound and we put our spin to it. One thing I find interesting is that “Ikebe 3000” is actually
Asake’s favourite collaboration out of all the songs we’ve made together.
Slide 1 of 14
Blaqbonez, Asak...
I made the first version in June (2026) in my friend’s studio in Lagos. The studio didn’t have air conditioning. It was
so hot in there that we had to take off our T-shirts while recording. Maybe that heat contributed to making it a hit
haha. I didn’t send the song to Asake until August. We were on the phone one day, talking about how crazy our collab
“Chanel” was going and we had a light bulb moment about how crazy it would be to do it again. We both felt we could
create another magic, but we wanted to make the next record bigger and take it in a different direction. “Ikebe 3000”
was going to be more of a party record, something more dancey. So I sent him the song, and he loved it. He was in LA at
the time, just after one of his shows. I woke up to him calling me and playing the verse he’d just recorded in the
studio. I was shocked. I’m thinking; he’s on tour right now! How did he finish a show yesterday and still managed to
record this verse today? The whole thing happened in less than 24 hours after I sent him the song. Just like we did with
“Chanel,” we kept “Ikebe 3000” under wraps until release. After making the song, we planned the music video and flew to
London to shoot it. Honestly, when I started making the earlier version, I’m not sure we knew just how crazy the song
would turn out to become. We were simply locked in the studio, trying to create something different when we stumbled on
the Gqom (South Africa) sound and we put our spin to it. One thing I find interesting is that “Ikebe 3000” is actually
Asake’s favourite collaboration out of all the songs we’ve made together.
Slide 1 of 14
Blaqbonez, Asak...
This was one of my easiest studio sessions ever. I really didn't think I'd made anything spectacular because I make
songs almost everyday. I made it in February 2026 in Lagos. Most of the songs on my new album (NOMADINHO: 4TH PRIME) are
fresh records made this year. So in April, I travelled to London for a show. After the show, instead of doing the usual
after-party at a club, I decided to do something different. One of my cousins, who works at a bar, offered to open it
just for me and my people. I took about 20 people from the show to the underground bar called Doña in Dalston. It was
just us, with no pressure. I started playing unreleased music through the AUX and having a good time. Everybody seemed
to love “Chanel.” People kept asking me to play it again. The next day, I made a video of myself vibing to the song and
posted it online, inspired by the energy from the party. As soon as I posted it, the video went crazy. That was when I
realised the record might be huge. Fans started suggesting different artists who should be on the song. But in my mind,
I knew it was big boy music and the ultimate big boy for that sound was Mr. Money, Asake. Of course, he has been my guy
for a long time. We'd been talking about collaborating, and I was just waiting for the right song to send him. So I sent
it to him through his DMs. Thankfully, I made that decision. A few days later, we were both back in Nigeria, set up a
studio session, and recorded together. After that, we flew to London, shot the music video, and the rest is history!
Slide 1 of 13