When I started working on “W for Wetego” in January 2025, it was my second session with Black Culture (credited

producer). For some reason, I left the space at the beginning of the song, and I started singing “Wetego” somewhere in

the middle. I was just jamming that and really feeling it. After that, I went to my village, Nwangele in Imo state, in

January. I was excited about being in the village. I wanted to have done a song with Phyno the next time I came back to

the village, and that’s what I set out to do. As soon as I made ‘Wetego,’ I was excited to send it to Phyno. The moment

I sent him the record, Phyno told me to pull up. One hour later, I was at his place, and we had recorded that. I was

still trying to figure out what to do with the space I mentioned in the beginning, then I had a session with Young Jonn.

We were supposed to work on some other stuff, but as soon as I played him “Wetego,” he was like, “This is the one that I

have to be on.” That's how we just recorded on the space at the beginning. The final version of the song was wrapped up

just three days before the song came out. I wasn’t even sure it was going to make it out because I was going back and

forth with the producers, trying to figure out the log drums.

The way FOLA and I worked on “Despacito” is almost like the way I made “Bizzy Body.” I invited him to my house. Ramoni

(credited producer) started playing chords, and he basically created the hook on the chords. He just sang the whole

thing, and Ramoni and I started working on how the beat would actually be. Then, I recorded my part, and that’s when

FOLA actually heard it. At track five, it felt like I needed to switch things up. We had come with mad energy from the

beginning, so it felt like it was time to soften the vibe a little bit, but it needed to be beautiful and still

energetic. “Despacito” was the right song to transition with. It's a hip-hop song, but it has some amapiano elements. I

feel like it was giving me a version of AKA on soulful songs that just connect in a way, and that’s what introduces

“Nati” with Olamide.

I have to give a big shoutout to Vado. Kizz Daniel is another person who goes out of his way for me. I can’t thank him

enough. “lost” was actually written because people rarely sing about the ups and downs of love. No one talks about when

you’re crying in that corner of your room because that girl is not responding to your text. No one talks about when

you’re feeling down because that guy is acting anyhow. No one really talks about those parts, and that’s what “lost” is

all about. It’s written in homage to the bad sides of love. Having Kizz Daniel on the song changed its dimension. I

wasn’t expecting the delivery to come out that way. He really showed the big OG that he is. There are levels to this

music thing, and Kizz Daniel is just at the top.