I don’t let my troubles get the best of me. I was always in the studio channeling positive energy into my music. Two

weeks before my U.S tour, I went to Del-B’s (the producer) house and in the studio there we made the idea, the drums,

the percussions of the song. Del-B worked on the main part of the beat and I did the flute. Most times, I play a part

(of the beat) and record on it. It’s always easier for me to record on a part than on the actual (complete) beat. I

started with the melodies first then wrote the lyrics. Then T-Spize (additional producer) played the guitar. In the

beat, we were looking at something between Highlife and R&B. It has Ghana Highlife percussions with R&B pads and strings

on it. So it has this soul to it. Everyone wants to know what I was saying in a part (intro chant: whine for the ****).

That might be the juju (charm) in the song so if I tell you what it means, you might stop liking the song… so just whine

for anything. I wanted something deep, in Naija we call it “wash” (translated as “mesmerize”). I had to put a lot of

wash in the song so any girl that hears it, the wash would work very well.