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Cruel Santino, BRIDG...
“Freaky” was made in 2016. People like Naeto C, Killz, and D’Prince are the key to the future of music. People don’t understand the core of swag
rap, and it’s because we didn’t have as much coverage as we have now. That shit was what we were grooving and eating. When D’Prince dropped “Jonzing
World” and Jesse Jagz dropped “Wetin Dey,” those songs were… If you just take the drums and make them new and mix some of this shit, it will blow up
everywhere. “Shobeedoo” is one of my best Killz songs. It’s a crazy song, and it’s just different, and that beat was incredible. There’s a part in
the song where nothing plays, and I just told Genio to let us sample it. Genio is really good at R&B. He’s like the god of R&B when it comes to
producing, and I recorded it. We did this in Adeniyi Jones (Lagos) my guy’s house. Luciano, a rapper, was on the song before, but everything changed
when I met Phi (manager at the time). She said we should put Nonso Amadi on it, and the rest is history. Shoutout Nonso too.
By:MemoriesFM
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Odunsi (The Eng...
“alté cruise” was just what it was. I had just started going out and becoming more social thanks to Boj. He was always saying the
word so much around me, and I had this alt SoundCloud account called fridaycruise where I’d just drop music very spontaneously. So
I just put the two names together. For me, “alté cruise” is just a manifestation of a more social version of myself. I was going
out, hanging out with friends. When I made the song, we were all in the studio, and Santi did his verse last. We were having fun
and goofing around. I feel blessed to have this song because I love music so much, and a lot of this stuff we were making was more
than music. It was a lot of sacrifice for the community and friends. It was built on knowing that people loved us and what we were
doing. We were really making it for them, and we wanted the people to feel it. So, it’s nice to see that it spread that far.
By:Wale
Nasty C was in Lagos, and we met up. That was actually fun because we would go around Lagos at night, and I was with Santi and one
of my homies, Genio. So, we met up with Nasty C, and we made that song. It was a very interesting one because at that time, South
African-Nigerian link-ups were very popular, but there wasn’t anything really happening in the underground like that. Working with
Nasty C and having Santi on it was very important.
